SCORES FOR ATTENTION DIRECTION (2026)

Pinholes, wall paint on A3 archival prints

The pinholes act as decontextualized moments in an image- a deconstruction of narrative building and agency in an algorithmic attention economy. The wall paint and roller have covered all “unnecessary” information while the push-pin arrangement leaves key moments that draw one’s gaze, like an inverted eye-tracking system.

When standing in front of one of the attention scores the viewer becomes performer- their attention the notes that they play. They can choose the chronology, duration, and speed- or to turn away entirely, but the score is parasitic and insists on being played in some capacity.